These typefaces are based on simple geometric shapes, and usually including mono-width strokes and perfect circle rounded forms. Later versions lost their squared curve, and have a single-bowl lowercase g. Its distinguishing features are slight contrast in stroke weight, a squared look to some curves, a “spurred” capital G, and a double-bowl lowercase g. This style was the first popular sans serif. They have a vertical axis, minimum stroke contrast, and often have triangular or flaring serifs. Glyphic type styles appear lapidary (carved or engraved) rather than pen-drawn in nature. They are often geometric or square in style. Typefaces belonging to this early 19 th century style have very heavy square serifs, little or no bracketing, and hardly any stroke contrast. Originating in the late 18 th century, this refined and more delicate style is characterized by high or dramatic contrast between the thick and thin strokes, curved strokes on a vertical axis, and horizontal serifs with little or no bracketing. They have the following characteristics: the axis of the curved strokes is barely inclined or more vertical than diagonal, there is more contrast between thick and thin strokes than in old style typefaces, and serifs are thinner, flat, and bracketed. Typefaces in this category represent the 18 th century at a time of transition between old style and modern design. Some typefaces in this category contain an e with a diagonal cross stroke. It is characterized by curved glyphs with the axis inclined to the left, minimal contrast between thick-and-thin strokes, angled head serifs, and bracketed serifs (curves between the serif and the stem). This category of typefaces originated between the late 15 th and mid-18 th century. The classifications system below will give you a basic understanding of where the many thousands of typefaces come from, and how they differ. But within these groups are many subcategories. Most typefaces fall into four broad categories: serif, sans serif, scripts, and decorative. This is useful for several reasons: to help identify them historically, to distinguish them visually, and to assist in combining them. Type classification is a system used to divide typefaces into categories.
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